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What this work shares is a pursuit of painting with a "reinvented picture plane", a circular format, on a contemporary material, plastic, that incorporates and activates the wall, sometimes literally drawing and painting upon it. Testing the parameters of painting, from a single disc to hundreds on a wall, in and around a corner, projecting from the wall as arrows and scattered on the floor; creating a tension between the paintings presence as fetishized object, the allure of its color, surface, carnal materiality and its absence, the wall or support… THIS STATEMENT ON THE RESUME PAGE.